Featured

Spring Cool-Coloured Flower Combinations

At SSB Garden Design we believe that the harmony of cool-coloured flowers are both dream-like and relaxing. Colours such as blue, mauve, lilac and pale pink appear more distant than they really are. White flowers also create the impression of coolness and combine well with plants with grey leaves such as a variety of sedums, hebes and irises. Add a hint of warmth to this colour scheme with dark purple flowers or reddish leaves which will enhance the effect of cooler pinks. Darker green foliage will add structure, density and substance to these combinations. Further definition can be added with the use of spiky flowers and leaves, as well as climbers and taller perennials. Light can also have a great effect upon cool colours. Lighter flowers and foliage may gleam in the shade or at dusk but fade in the midday and afternoon sun. Plant in drifts and blocks for a naturalistic design scheme.

Polemonium caeruleum ssp. caeruleum f. album and Nepeta ‘Six Hills Giant’

This combination of flowers are arranged with a similar effect therefore our eye is drawn towards the differences in the blue and white colouring. The flowers interlace together in a cool, fresh way creating a soft and informal appearance. They both produce attractive foliage. The dense clump forming stems and smaller mint-scented leaves of the nepeta counterbalance the less dense fern-like leaves of the polemonium. Aspect, sun/shade.

Hebe pinguifolia ‘Pagei’ and Glandora prostrata ‘Heavenly Blue’

The crisp, clear blue flowers of the glandora with its deep green leaves combine well with the blue tinted fresh, defined shaped leaves of this popular variety of hebe. The hebe’s small but sharp spikes of white flowers add to the blue and white combination. Once the flowers fade, the structure of both shrubs will remain. Aspect, sun/shade.

Brunnera macrophylla and Camellia x williamsii ‘Donation’

The flowers of the brunnera may be very small but the ice-blue colour complement the cool pink camellia flowers perfectly. Once the flowers have faded the brunnera’s larger clumps of rougher lighter leaves contrast with the darker, glossy and elegant foliage of the camellia. The brunnera’s leaves turn more coarse during the summer months but new leaves will appear if the plant is cut right back. Aspect, sun/shade.

Prunus serrulata ‘Ichyo’, Camassia leichtlinii ‘Blue Danube’, Tulipa ‘Purissima’ and Tulipa ‘Cafe Noir’

A breathtaking and dramatic cool-coloured scheme. This variety of prunus is a formidable specimen when its dusky pink buds open to a frothy profusion of pale pink flowers. As the flowers age, they lighten to near white. If you prefer an ornamental cherry tree with more restrained flowers, we recommend Prunus x yedoensis. We have added a blue camassia to this combination; a bulbous perennial with racemes of up to 80 lavender-blue, star shaped flowers which provide a long-lasting display in spring. If you prefer a white variety to add sparkle, we recommend C. leichtlinii ‘Alba’. The upright, leafy stems and rounded shape of the tulip flower add contrast to the camassia but reflect the contours of the prunus flowers above. Aspect, sun/shade.

For further planting and garden design advice and inspiration please do get in touch with us.

@ssbgardendesign

Late Autumn Colour

Colour in the landscape is a great pleasure, providing mood, atmosphere and is a clear indicator of the seasonal changes around us.

At SSB Garden Design we carefully source plants and trees that combine well together to create harmonious, tranquil and dramatic effects. Hues are not constant and the rules of colour harmony are flexible; our perceptions of colour are subjective which alters the essence accordingly. The combination and proximity of other plant colours can also result in transitions, while changes occur due to the latitude and position of your garden as well as the fleeting nature of light. Northern light tends to be more blue which dilutes flower colour and favours subtle hues. Nearer the equator, the light becomes more yellow and calls for stronger flower colours. In the morning light, colours are at their most intense and by midday the light is strong, reducing the intensity. In the evening, light is more subdued with whites and pastels looking luminous. As the day progresses and the seasons change, different parts of your garden space may become more or less suitable to relax within or enjoy.

At SSB Garden Design, we apply colour theory to add further dimensions to your garden with beautiful effect. We juxtapose colours that have a close affinity in the rainbow spectrum such as red and orange or blue and green to intensify the impact of each colour. Every colour has the ability to change the physical appearance of its neighbour and we use a painter’s palette of foliage and flower colour, tints and tones to achieve this. We use single tones, or a mix but we often use unusual colour combinations such as burnt orange, rust-red, lime-green and deep purple, or chocolate, purple and lemon for a stylish effect.

Late autumn is special. The air turns sharp and the bright light transforms colours. Orange and gold are everywhere and previously subtle foliage becomes red and bold. Parrotia persica flames wildly and Liquidambar styraciflua turns vermillion and purple. Oak trees glow with fiery colour and maples turn gold and red. Vines, climbers and varieties of Parthenocissus light up pergolas, fences and walls.

Late autumn annuals such as Rudbeckia hirta, ‘Rustic Dwarfs’ or ‘Goldilocks’ ignite the border. Marigolds and nasturtiums continue to grow well and pansies such as Viola x wittrockiana will flourish into the winter. Colchicum speciosus is a welcome autumnal sight and Cyclamen hederifolium will flower until the end of the season and often into the next.

Perennials such as astrantia, asters, echinacea, gentiana, miscanthus and verbena inject further long-lasting colour. Piet Oudolf’s enchanting field and gardens at Hauser and Wirth Somerset is a testament to the magical form of perennials in late autumn. He designs with Amsonia hubrichtii, Aruncus ‘Horatio’ and molinias which give their best at this time. Drawing on influences from Capability Brown in the 18th century and Gertrude Jekyll in the 19th century who introduced more informal styles, Oudolf’s ‘New Perennial Movement’ has extended this informality to a concern for ecology and biodiversity. He uses plants that have an ‘afterlife’ in late autumn and winter which provide nourishment and shelter for birds and insects.

Autumn flowering shrubs include, Fatsia japonica, Genista tinctorial (broom), fuchsia and Mahonia x media. Shrubs with good foliage include Amelanchier canadensis, berberis, callicarpa, Cornus alba, hamamelis, Rosa rugosa and viburnum. Trees at their best include acers, Carpinus betula and the beautiful Prunus x subhirtella ‘Autumnalis’.

Decorative fruiting trees and shrubs such as rowans, hollies, cotoneasters, pyracanthas, crab apples and roses provide red, orange and yellow fruit. Our favourites include Malus ‘Golden Hornet’, the dense fruit clusters of Sorbus scalaris, the hips of Rosa moyesii, the pure white fruits of snowberry, Symphoricarpus albus and the blue fruits of Mahonia aquifolium. Callicarpa bodinieri var. giraldii ‘Profusion’ produce wonderful autumn berries.

Late autumn frosts on the seedheads of Hylotelephium ‘Herbstfreude’ and Hydrangea arborescens are beautifully atmospheric and effective. Teasels, Dipsacus fullonum, honesty, Lunaria annua and Physalis alkekengi franchetii, offer a unique charm, along with the seeds of Japanese acers.

Our recent visit to Sheffield Park Garden and Estate in Sussex highlighted the importance of late autumn colour to lift the spirit as the days gradually become shorter. Now owned by the National Trust, it was originally designed in the 18th century with the help of Capability Brown and autumn colour was added by Arthur Soames in the 1920s and 1930s. The reflections in the water of coloured leaves, soaring conifers, balustraded bridges, cascades and the towers of the Gothic mansion give Sheffield Park an unmistakable sense of place.

Within the park, May brings the first colour climax, with pink and white dogwoods and the thickets of rhododendrons and azaleas which flower within a bluebell ocean. The palette is subtle. The park’s second climax is heralded by the red tinted spindle trees and Prunus sargentii in autumn. By mid-October, the landscape is alight with colour. At ground level, fiery tints break out among azaleas, enkianthus, forthergillas, blueberry, cornus and berberis; the flames rising through amelanchier, parrotia, Japanese maples, Acer circinatum and A. maximowiczianum. These engulf American oaks, the celebrated grove of Nyssa sylvatica and later the liquidambars. The birches have turned to butter yellow, deciduous conifers, taxodium and metasequoia to orange-brown, and the native trees to copper and russet. Added to this are smokey plumes of white pampas grass, blue streaks of Gentiana sino-ornata which combine with evergreen domes and spires.

An inspirational and sensory autumn garden experience providing a final burst of colour before nature’s well-earned rest and renewal.

For further garden and planting design inspiration and advice, please do get in touch with us.

@ssbgardendesign

Garden Sculpture and Art

Garden and landscape designers have been playing with the relationship between art and nature for centuries, imitating nature so skilfully. In the contemporary garden, this process has been carried to a further level of elegance and sophistication. 

At SSB Garden Design we believe that sculpture and art are important components of a beautifully designed garden. It can include any object, perhaps a simple grouping of stones or pieces of wood that provide personal satisfaction or are of particular significance. We love to place a modern piece within a traditional, established garden or conversely a classical style figure, sundial, or astrolabe in a sophisticated, minimalist, contemporary garden. Placing your artwork in this way, may provide an element of surprise or humour and add something to spark the imagination, especially if placed in the middle of your border or within a hidden part of the garden. For a more obvious focal point, we usually place the form at the end of a pathway or at the junction of two pathways and we also consider the views of the piece from the rooms within your home. Abstract sculpture and art can offer different views from all angles and perspectives, as one is required to consider the view from a distance, the front and then as you walk around it. Smaller forms bring your focus closer into the garden and planting design while larger pieces act as the main focal point, drawing the eye to a wider area. 

Sculpture and art can also play a major part in the creation of a concept and theme of your garden. Rough cut, vertical limestone panels can create the atmosphere of a mountainside in mist, also stone and pebbles may be positioned in drifts to recreate a coastal theme. Columns are useful for creating a strong vertical outline, drawing the eye upwards, perhaps in place of a tree, or to hold up a roof structure. Sculpture and art come in a variety of materials such as limestone and concrete which are well suited for traditional or formal gardens while bronze, fibreglass, and metal offer more flexibility in terms of design. Metals will be the most durable as limestone and concrete will weather over time. COR-TEN steel, with its weathered, rust coloured effect is a popular choice of material at the moment. Old stone or wood columns can often be bought as salvage items and brought up to date when used in conjunction with metal or glass. Also, lengths of clear, white, or coloured perspex and even strengthened glass can be used and look wonderful with uplighting.

We provide expert lighting advice to add a different perspective to your form’s shape, colour and texture at night. The key to good lighting is to recognise that each outdoor sculpture is different and it can be a challenge to strike a balance between the amount of lighting required. The shape of the piece can cause awkward shadows and shiny metal can create an overpowering glare. Vertical sculpture may need to be lit from a distance to create a softer effect. The exciting use of additional fibre optic lighting within water can add movement and creates a reflective, witty, and synthetic imitation of the interplay between sunlight and water around your piece. Also, incorporating internal lighting within an artwork is a popular and stunning option. We will recommend qualified contractors to install all the lighting requirements in your garden.

At SSB Garden Design we choose plants to complement or contrast with the colour, texture, and size of your artwork. Smaller plants placed at a lower level around the form are better, as they will not obstruct the sculpture, plinth or particular backdrop. It is also important to think about seasonal interest and how the planting will coincide with the different views throughout the year. If positioned well, swaying branches and leaf dappled shadows will add movement and further beauty to your piece.

For further inspiration and advice on sourcing a piece of sculpture and art for your garden, please do get in touch with us.

@ssbgardendesign